Will Smith’s ‘Bright’ had its European premiere on Friday 15th December 2017 at BFI Southbank, London.
It is Netflix’s highest profile movie release in 2017 starring Will Smith, Joel Edgerton and Noomi Rapace.
Last year it was the Netflix’s controversial Okja which premiered at Cannes.
‘Bright’ is quite an essential movie for Netflix, as they are hoping it will help them attract more A-list talent to their film division.
The movie has some great action sequences, the overall acting was on point, but for me, Joel Edgerton who plays the Orc partner human cop (Will Smith) stood out to me. It was truly a fantastic performance.
The world they have created, where you see humans, orcs, elf’s and other magic folks leaving side by side is very much believable.
The movie also explores the cruel world of racial and social inequality, but I am not sure if it was executed properly.
Joel Edgerton’s character Orc cop is always racially oppressed by almost everyone in the film, but he absolutely has no voice.
After almost a decade Director Ketan Mehta’s Movie ‘Rang Rasiya’ finally hit screens today in India.
Rang Rasiya (Colors Of Passion) is about my favourite Indian painter and father of modern Indian art Raja Ravi Varma, who gave faces to Indian gods, and made saree a popular Indian garment.
I had a great opportunity to watch english version of this movie last year at Victoria and Albert Museum in London, Its an interesting movie on censorship of Art.
Raja Ravi Varma was dragged to court for painting God and Goddesses in half nudes and how he eventually fought back and won the case.
Both strikingly beautiful and audacious, Ketan Mehta’s film charts the life of the great Indian artist Raja Ravi Varma (played by Randeep Hooda), from his early days under the patronage of a King of Kerala, moving on to British Bombay in the late 1800s, where he makes his fortune.
Here the genius gives birth to Indian modern art and helps inspire the independence movement and the dawning of Indian cinema with his depictions, which bring to life the Hindu gods and goddesses. He must first find his muse who comes in the lavish form of Sugandha (Nandana Sen). Varma’s fascination for his model turns into a torrid, paint-smeared, love affair, which is reflected in his art. The religious power brokers see his increasingly eroticised work as dangerous and Varma is dragged to the British courts to be tried for blasphemy.
Mehta’s homage offers not only a spectacular insight into a turning point in Indian history, but also questions the freedom of the artist in contemporary society. Not to be missed!
Other good reason to watch this movie is because my friend Feryna Wazheir, a very talented British Indian actress who plays a parsi Journalist for Times of India in this movie. she was a last women in Raja Ravi Varma’s life.
Raja Ravi Varma (29 April 1848 – 2 October 1906) was an Indian painter and artist from the princely state of Kilimanoor (presently in Kerala) who achieved recognition for his paintings depicting scenes from Indian literature and mythology including the epics of Mahabharata and Ramayana. He is considered among the greatest painters in the history of Indian art and his paintings are considered to be among the best examples of the fusion of Indian traditions with the techniques of European academic art. Varma’s paintings portrayed sari-clad women in graceful manner which became an important motif of that time, reproductions being found in many homes.
The Young and Prodigious T.S. Spivet is a story of a 10-year-old cartographer who secretly leaves his family’s ranch in Montana where he lives with his cowboy father and scientist mother and travels across the country on board a freight train to receive an award at the Smithsonian Institute.
This adaptation of the acclaimed Reif Larsen novel ‘The Selected Works of T.S. Spivet’ is directed by Jean-Pierre Jeunet’s(Amelie) and the movie stars Helena Bonham Carter, Robert Maillet, Callum Keith Rennie and Kyle Catlett.
I had the opportunity to watch 3D Preview screening of ‘The Young and Prodigious T.S. Spivet’ at Cine Lumiere, London and it was followed by a Q&A with Helena Bonham-Carter and director Jean-Pierre Jeunet.
It’s easy to fall in love with this humble and emotionally touching tale of the ingenious, slightly magical story of Young and Prodigious T.S. Spivet.
The little boy’s character is something possibly believable real genius.
The story is tender but avoids melodrama. It simply is an uplifting, inspiring, entertaining film. The film may at first seem a bit slow paced, but plot keeps moving and you really will become involved all the way throughout the movie. The story is told, mainly, through the eyes of 10-year-old cartographer T.S. Spivet. We are given tremendous insight into how T.S. Spivet sees and relates to the world around him.
The cinematography is brilliant, as you would expect from Jean Pierre Jeunet(Amelie). American landscape was mostly shot in French-speaking Quebec and Alberta, Canada which offers hyper real greener landscapes and blue skies with beautiful details.
The casting is outstanding. From the young child genius subtly powerful performance by Kyle Catlett to a distracted entomologist mom played by Dr. Clair (Helena Bonham Carter), every character feels essential to the story. Some of the characters seem a bit of caricature, especially the stereotypical police officer.
What I liked the most that if the film had slightly magical tone to the story and there was use of animated sequences in TS Spivet, it would give further depth to the 3D, and TS Spivet’s thoughts.
Its a sweet, heart-warming story, which takes you away from the fast and hectic daily life into a almost 1 hr 45 min hour-story, which is nothing but good and charming.
The movie will release around mid June in the UK and it will also have an IMAX release.
(France-Canada) A Gaumont (in France)/Weinstein Co. (in U.S.) release of an Epithete Films, Tapioca Films, Filmarto, Gaumont, France 2 Cinema, Cross Creek production, with the participation of OCS, France Televisions. (International sales: Gaumont International, Paris.) Produced by Frederic Brillion, Gilles Legrand, Jean-Pierre Jeunet, Suzanne Girard. Executive producers, Francis Boespflug, Tyler Thompson.
Directed by Jean-Pierre Jeunet. Screenplay, Jeunet, Guillaume Laurant, based on the novel “The Selected Works of T.S. Spivet” by Reif Larsen; dialogues, Laurant. Camera (color, widescreen, 3D), Thomas Hardmeier; editor, Herve Schneid; music, Denis Sanacore; production designer, Aline Bonetto; costume designer, Madeline Fontaine; sound (Dolby Digital), Jean Umansky; sound design, Selim Azzazi; supervising sound editor, Gerard Hardy; 3D stereographer, Demetri Portelli; visual effects supervisor, Alain Carsoux; 3D engineer, Ben Gervais; assistant director, Christophe Vassort; casting, Lucie Robitaille.
Helena Bonham Carter, Judy Davis, Callum Keith Rennie, Kyle Catlett, Niamh Wilson, Jakob Davies, Rick Mercer, Dominique Pinon, Julian Richings, Richard Jutras, Mairtin O’Carrigan, Michel Perron, Dawn Ford, Harry Standjofski, Susan Glover, James Bradford. (English dialogue.)
Helena Bonham-Carter and director Jean-Pierre Jeunet at the 3D Preview screening at Cine Lumiere, London.
It was the Golden Age of comics and Superman was ‘The Man’ of the comics world. Everyone wanted to capitalize on the success of Superman; including Superman’s own publisher. So they turned to artist Bob Kane and writer Bill Finger, and that’s when the Caped Crusader made his debut in May 1939 in Detective Comics No. 27 entitled The Case of the Chemical Syndicate. Batman had neither sidekick nor gadget belt and he drove around in a bright red sedan. Yet, Batman was brutal, showing no regret tossing a sinner into a container of acid. A lot of things have changed since then.
Tonight is the European premiere in London for the latest Batman film ‘The Dark Knight Rises’, the last film in Christopher Nolan’s Batman trilogy.
So do you think you know Batman? The Caped Crusader’s mysteries are much deeper than you’ve ever realized.
History Chanel showed a very interesting documentary called Batman Unmasked – The Psychology of the Dark Knight.
Recent films made on Batman: Batman Begins, The Dark Knight and Dark Knight Rises are excellent sources of entertainment, but they also offer a complex and interesting dissection of a man who learned to use his own fear against criminals. This very interesting documentary featured on History Channel investigate the mental attitude of Batman the mysterious caped crusader along with selective interviews from various expert, but also put some brilliant resemblances between the Batman and Theodore Roosevelt.
Batman becomes the Superhero because he embraces his worst fear: Bats; after his mother and father are mugged and killed one night in front of him. President Theodore Roosevelt who like Batman came from a wealthy background, lost his father when he was a sophomore at Harvard, and then went on to lose both his wife and mother on the same day a few years later. Because of tragedy, they become the person they are.
Theodore Roosevelt fought the spoils system as a member of the United States Civil Service Commission and served a commissioner of the New York City Police which he then helped to reform. Later of course, Teddy used his zeal to make many positive changes as President.
This documentary also shows how spiritual iconography greatly influenced the development of the Batman character.
Aside from that, it includes a short insight inside the motivating force that drives other infamous figures such as the Catwoman and the Joker. Explore why the history of the Cape Crusader and discover how a kid scarred by traumatic event turns into a symbol of hope for City of Gotham.
Documentary also suggest how “Everyone has the ability to do good and bad”. After the great loss of his family how batman choose to good and how his Villain choose bad path of revenge.
Name: Batman (Earth-1) Alter Ego: Bruce Wayne Occupation: Millionaire Socialite, Chairman of the Board of Wayne Enterprises and the Wayne Foundation Marital Status: Single Known Relatives: Thomas and Martha Wayne (parents, deceased), Philip Wayne (uncle, deceased), Lord Elwood Wayne (uncle, deceased) Group Affiliation: Ex-member of the Justice League of America, current leader of the Outsiders Base of Operations: Gotham City Height: 6 ft. 2 in. Weight: 210 lbs. Hair: Black Eyes: Blue First Appearance:Superman #76
Raised in a loving environment by his parents, young Bruce Wayne one day admired a bat-costume his father had designed to wear to a party. This memory would prove invaluable to him in later years.
One night several months later, while walking home from the theater with his parents through the area which would soon come to be known as Crime Alley, young Bruce watched helplessly as Thomas and Martha Wayne were confronted by a seeming street thug named Joe Chill, who demanded Mrs. Wayne’s jewelry, then gunned the Waynes down in cold blood when Thomas defied him. In point of fact, Chill was acting under orders from gangster Lew Moxon, who was seeking vengeance against Thomas Wayne for testimony which had sent Moxon to prison.
Now an orphan, Bruce Wayne was placed in the care of his Uncle Philip. Since Philip Wayne was a world-traveler, Bruce spent his formative years under the guidance of Philip’s housekeeper, the kindly Mrs. Chilton (who was secretly Joe Chill’s mother, a fact Bruce has never learned).
Traumatized by his parents’ murder, and swearing at their graves to avenge their death by waging war against all criminals, Bruce Wayne spent the next years training himself to physical and intellectual perfection. To this end he served an apprenticeship under one Harvey Harris, then considered to be the world’s foremost detective.
Realizing at law school that he would be hampered constantly by laws that seemed to help criminals more than their victims, Wayne decided to seek his own solution to the problems of crime in the streets.
One night several weeks later, while sitting in the den of his ancestral home, Wayne Manor, the now-grown Bruce was startled by a large black bat that suddenly flew in through his open window. This was the omen Bruce had been waiting for. Reasoning that criminals were a superstitious, cowardly lot, Bruce took the inspiration of the bat (and his subconscious memories of his father’s costume years before) to design a costume which would strike fear in the hearts of evildoers everywhere. Thus was born a weird figure of the shadows…a dark avenger of evil…The Batman!
Thought at first to be an outlaw himself, the Caped Crusader ultimately confronted, and was finally deputized by, Police Commissioner James W. Gordon.
Several years later Wayne took in young Dick Grayson, whose circus performer parents had also been murdered by criminals. As the last of the Flying Graysons, Dick had the necessary skills to become the Batman’s partner. Dick was given the costume Wayne himself had worn as a youngster when he studied with Harvey Harris, and thus became the first Robin, the Boy Wonder.
For a time Wayne abandoned his playboy image and devoted himself to running Wayne Enterprises, as well as the prestigious Wayne Foundation, which he built into one of the world’s foremost philanthropic organizations. He later relinquished his day-to-day involvement with both organizations to more fully devote his time to his duties as the Batman.
Recently Waynehas become the guardian of young Jason Todd, another circus performer, whose parents were murdered by the villainous Croc. Todd has since become the new Robin, learning the art of crimefighting as he works side-by-side with the greatest crimefighter of all.
The Batman has recently formed a team called the Outsiders and is working to train them. This is as a result of his resignation from the Justice League in a philosophical dispute over justice and the law.
POWERS AND WEAPONS
An incomparable athlete, far beyond Olympic level, the Batman is also a master of all known forms of physical combat, an unparalleled strategist and tactician, an expert in the art of disguise, and has been called by some the world’s greatest escape artist. His reasoning and deductive abilities are second to none.
The weapons in his arsenal against crime include items in the utility belt he wears around his waist, the sleek Batmobile, the Batplane, and the one-man Whirly-bat.
DIRECTOR: Parag Sankhe PRODUCER: Debora Setnik
The Rooster Must Die is a gripping and funny short film that tells the story of a classic clash between traditional rural life and those who wish for a quieter and more suburban existence.
Inspired by the dramatic tousles between man and nature that characterised the iconic 1975 feature film Jaws, The Rooster Must Die focuses on what happens when a group of angry villagers join together to try and impose rule on a Rooster that is causing them all great distress.
When the village chairman comes under increasing pressure to find a solution he turns to Jack, a local hard man, who is very confident that he will have no problems in handling the irritating Cock.
Jack, however, soon learns that his enemy is considerably more cunning than the average chicken and when their plans for a quiet life go horribly wrong the villagers discover that an angry Rooster can wreak just as much havoc as a hungry shark.
Directed By: PARAG SANKHE
Written By: KENT FLAAGAN
Produced By: DEBORA SETNIK
Director Of Photography: YURI KRYLOV
Background Score: PHILIP APPLEBY
JACK: Laurence Pears
CHAIRMAN: Marcus Taylor
ELLEN: Denise Rocard
MARY: Lena Sandberg
HARRY: Marc Forde
DAVID: Jeffrey Mayhew
I had seen the trailer for this movie some time ago, and it was clear to me that it was one movie that I would stand in line to see! I was anticipating ‘opening day” for a long, long time!
And did this movie live to my high expectations???…………….
‘300’ was even better than my high expectations.
The Spartan fought as a unit just like in team sport. Each Spartan has its own position during battles, and the technicality of doing defence using shields and attacking using their spears was perfectly executed. Such choreography was stunning like watching a beautiful ballet dance.
Most of the movie was created virtually, but it’s not anywhere near the virtually soulless filth that was ‘Attack of the Clones’ (THANKFULLY!). This movie got its heart and the story is pretty good.
Some are People confused with their Greek history, this movie has never claimed to be historically correct as many have and will argue. 300 is loosely based upon the actual war between Persians and Greeks. But, seeing it has been adapted from a comic book by Frank Miller, what can we possibly expect?
If you see the movie then I am sure u will agree with me, Every single guy in the movie has a SIX-PACK with no hair on the chest I am sure not really all men looked like that in reality but movie drew them this way to look “heroic.” This is heroic nudity and is commonly used in Hollywood cinemas. Anyway, I am hitting the gym again from tomorrow.
WARNING: there are many disturbing battle scenes and a couple of short scenes with nudity(very well done)
Spend the money and the time! You won’t be sorry!